THE BOOK
All Roads Lead to Blood, published by Santa Fe Writers Project, 2018.
Order it from IndieBound or Bookshop or Amazon or SFWP or Barnes & Noble!
FORTHCOMING
Who knows!
Photo: Howard Romero
SELECTED PUBLICATIONS
2024
Nineteen Ways of Looking at Awono (ed. Georgina Collins): contribution to anthology of translations of Jean-Claude Awono’s “Le Poème de Yambacongo”
2023
Poets & Writers, “ChatGPT Revises Authorship,” “The International Library”
2021
Epiphany, “The Thrill,” “Lobby Art,” “Ways of Seeing and Being Seen,” “Animals of the Mind,” “Taking a Turn in the Garden State,” “Decomposition”
The Margins: AAWW at 30: “Postcards from Asian American Booksellers”
Black Sun Lit, “Now Spring, Now Fall”
2020
Bennington Review, “Chinese Box”
Poets & Writers, “594 Ways of Reading Jane Eyre”
The Rumpus, Letter in the Mail
2019
Gargoyle, “Loose Morals”
Fence, “Yogurt Code”
Two Lines, “Impossible Connections”
2018
The Coil, excerpt from "Somebody Else in the Room"
The Offing, "Newfangled Creature"
The Margins, "Literary Interventions: Women Translators on Women Writers They Dream of Translating"
The Felt, "Autoportrait of a Yellow American"
2017
Joyland, "Chinatown of My Dreams"
Nat. Brut, "Residual Organic Matter"
Cosmonauts Avenue, "Thirteen Ways of Looking Out of a Chinese Eye"
The Offing, "Stevie Versus the Negative Space"
Queen Mob's Tea House, "The History of Your Very Body"
MACK, "Her Little Lips"
2016
PEN Center USA & The Rattling Wall: Only Light Can Do That, "A Kind of Heart, This Kind of World"
7x7: U.S. Election Responses, untitled
The Blueshift Journal, "Year of Righteousness, Year of Confetti"
92nd Street Y: #wordswelivein, "Signs She is Made of Ice"
Drunken Boat, "Medusa Jellyfish"
Timber, "Monstrosity"
2015
The Margins, "I See My Eye in Your Eye"
Columbia Journal, "The Burgeoning"
2012
Flaunt, "The Closing Doors"